Showing posts with label Adrian. Show all posts
Showing posts with label Adrian. Show all posts

Saturday, April 26, 2014

When Ladies Meet (1941) Crawford, Taylor, Garson & Marshall....oh my!




When Ladies Meet (1941/MGM Studios)
Directed By: Robert Z. Leonard 
Starring: Joan Crawford, Robert Taylor, Greer Garson, Herbert Marshall, & Spring Byington
 
Costumes By: Adrian
Hair Styles Designer: Sydney Guilaroff


If you are a fan of the 1940's MGM Studio days than you will ADORE this classic. I truly enjoy the old studio system where MGM and others took advantage of the star studded lots of talent they had and utilized them in each film. You simply did not have one star carrying the weight of the film but several such as in this noteworthy classic; "When Ladies Meet" from 1941. Joan Crawford at this time was drawing to the end her long successful career with MGM. This film was amongst others that Joan tried to resurface and rejuvenate her career.

The same year as our current discussed film was released Joan also starred in "A Woman's Face" where she played a sympathetic role though people still loved and connected her with her famous "She tried to change her style and, in 1941, A Woman's Face showed her as a girl whose life was rendered unbearable by a great scar on one cheek. M-G-M hailed the birth of "a new Crawford," but the customers were still apathetic to Crawford, new or old. Even so Joan felt that perhaps her salvation lay in "unsympathetic" roles. In 1943, she resigned from M-G-M because "I was being taken for granted." This departure also signaled the loss of her great personal battle with Norma Shearer. Miss Crawford and Miss Shearer had always envied each other. Outranking Joan, Norma received choicer roles, bigger billing and more publicity. As heads of opposing camps, the two actresses engaged in open warfare, but "the first lady of the screen," as M-G-M called Norma, got the upper hand and ultimately saw Joan start downhill in a succession of bad parts. When Joan resigned her contract M-G-M paid her a lump sum to square things and sighed with relief. All over Hollywood the cocktail-hour gravediggers said with finality, "Crawford is through."..." (D. Marshman, Life Magazine, June 23 1947).
iconic roles of the past where she was on the other end obtaining sympathy from all. I came across a very good article which was released in Life Magazine in 1947 where the writer Donald Marshman spoke about Joan's career post and current of the time (a very interesting article that I enjoyed!). In one part that is very applicable in understanding where Joan was at the time of this film you will get a better understanding where Donald Marhsman states:




Plot:
Mary Howard "Minnie" (Crawford) is a successful novelist that is in love with her publisher Rogers Woodruff (Marshall). One significant obstacle is that Rogers is married already! This does not stop Minnie from getting what she thinks is hers and decides to come up with a scheme to find an intimate
situation for the two. Jimmy (Taylor) is a good friend of Minnie's who has sights on her and thinks that the friendship should be brought to the next level where she has no idea.

Before Minnie can put her ideas into place, Jimmy decides to remove Rogers from the situation and places his wife; Claire (Garson) into a situation where she is going to stay with Minnie. A good friend Bridget Drake (Byington) has a lovely home that Jimmy borrows for these two ladies to finally meet and hopefully now getting to know each other will remove his competition. Additionally, since neither lady have ever met prior they will not know who each other prior to going to the home where they are going to spend time.

After spending time together Minnie starts to really like Claire and have a found respect for her. This period for both ladies is very eye opening where Minnie finds out that her dashing bow being Rogers is not the man she thought he was (not even close!). Rogers is a smooth talker and has paid attention and devotion to many women and that Minnie is just another of these and nothing more. Minnie finally opens her eyes and notices her friend Jimmy and the potential that he has. What a lovely cast and who knows who ends up with whom or anyone at all.












Saturday, July 20, 2013

The Art of Costumes: An Interview with Nicholas Inglis


 
The Art of Costumes: An Interview with Nicholas Inglis
 (Costume preservationist/historian)
 
 
    Nicholas Inglis is a long time classic movie fan who then took the passion for them to a whole new level. Starting in 1995, Nicholas started to recognize the importance of saving and preserving for the world the costumes that were made for classic movie masterpieces. Not just buying to have but truly understanding the significance each holds in our history of cinema and to keep them intact for new generations to see and enjoy. This constantly growing museum from hats, gowns and much more is a passion that Nicholas stays true with and now is a preservationist/record keeper for our adored movie stars, movie studios, motion pictures, and especially the designers of the era who will never be matched again. Designers such as Adrian, Edith Head, Walter Plunkett, Helen Rose, Travilla and countless others made these costumes come to life. The amount of man power that went into each costume with all details from top to bottom done for each star. Nicholas, I like to think is an archivist for our glamorous Hollywood past and is keeping it alive with ensuring these costumes thrive and are seen by many to have new generations understand and as well become fans of everything classic movies!
Interview by: Mason Williams

Monday, April 29, 2013

Lovely to Look at (1952/MGM) You're Devastating!


 
Lovely to Look at (1952) / MGM Studios
 
Directed By: Mervyn Leroy
 
Starring: Howard Keel, Kathryn Grayson, Ann Miller, Red Skelton, Marge/Gower Champion, Zsa Zsa Gabor


Gowns By: Adrian



Plot:


The musical is based on the play/musical from 1935 entitled "Roberta." We meet three good friends being; Tony Naylor (Keel), Al Marsh (Skelton), and Jerry Ralby (Gower Champion). A party is held by the three friends who are looking for big time investors to back the new show they want to put on.

A message comes for Al whose Aunt Roberta has passed away in Paris resulting in him owning half of her elegant clothing boutique. The boutique makes it's own clothing for the best of the best of clients. The three good friends are over the moon of the potential cash windfall that Al has fallen into. The thought is to all over to Paris and see the boutique that could possibly be sold off for a hefty revenue.




The three friends head over to Paris and meet the adopted sisters to the Aunt Roberta who are; Stephanie (Grayson) and Clarisse (Marge Champion). Things do not start off that well since the three friends simply want to do a business transaction and have the two ladies buy Al's shares out. Unfortunately, the boutique is not what it once was as a thriving shop but one that is about to close it's doors.

Tony right off takes note to the beautiful Stephanie and blames her for the poor business with the poor and older looking clothing line. They exchange words and the passion starts! What is decided is that a Broadway style review is needed at the boutique after the clothing line is spruced up and brought awake again. Tony thinks this is a must and Al/ Jerry agrees. By doing this, Al can sell his half off and go back to Broadway. The bankers listen to Tony's ideas for the boutique and buy into with backing and advancing more money for the endeavor. Enters Bubbles a showgirl and a flame for Tony who is in Paris with her man.

Beautiful dance numbers ensue for all actors to take part. Zsa Zsa is a famous model in Paris who wears the boutiques clothing in it's elaborate runway show. With Jerome Kern's music in place it is a lovely classic to watch!







 
 
 
 
 
 
 
 
 
 
 
 
 











 





 
 
 
 












Thursday, December 29, 2011

2011 Year In Review




2011 Year In Review!

Love Those Classic Movies!!! had an outstanding 2011 with highlighting great leading actresses, actors, costume designers, photographers, and topical themes. We also introcued this year new articles such as: "Classic Radioland," "Spotlight On" & our interview series.

We had fun bringing topics such as looking as Summer Films and Holiday Classics. This year also brought us our: "2nd Annual Classic Mr. & Mrs. Clause" who was the fantastic Robert Mitchum & Ginger Rogers.

Our interviews were started with a great kick-off featuring two hot actors/recording artists: Howard Tonkin & DiSanto Diaz. Both gentleman spoke about their acting background and their love for classic cinema - thank you gentlemen for your time and the great itnerviews!!



 We had a a terriffic special correspondent (Christina Stewart) who reported on the: "2011 TCM Classic Film Festvial." Christina gave us special inside information on the red carpet events, movie screenings, gala events and many other events. This we are looking to keep and expand with other special reporters clocking in with special articles from all over the world!!

Finally, here are our FANTASTIC classic stars we highlighted in 2011!!!!



  •  Adrian
  • Tyrone Power
  • Sophia Loren
  • Marilyn Monroe
  • Claire Trevor
  • George Hurrell
  • Gloria Grahame
  • Orry-Kelly
  • Merle Oberon
  • Bette Davis
  • Ramon Novarro
  • Irene Sharaff
  • Rosalind Russell
  • Ann Sothern
  • Ava Gardner
  • Rita Hayworth
  • Dorothy Dandridge

Saturday, October 15, 2011

Madam Satan (1930) evil never looked soo good!


Madam Satan (1930) / MGM Studios
Directed By: Cecil B. DeMille
Starring: Lillian Roth, Kay Johnson & Reginald Denny

Quote: "Who wants to go to hell with Madam Satan?"



Costumes: Adrian (gowns)
Set Design: Cedric Gibbons

Plot:

An extravagantly MGM Studios designed and pre-code musical, Madam Satan is legendary director DeMille’s moralistic yet lighthearted story of infidelity among the filthy rich. A wife (Kay Johnson) tries to lure her husband (Reginald Denny) away from his trashy showgirl mistress (Lillian Roth) by posing as the mysterious title character. Always the showman, DeMille’s signature spectacular set is a costume ball. The husband does take sharp notice to this mysterious Madam Satan that he has never saw before and is intriqued by her and the joke is on him! This is DeMille's only venture into a musical/drama. A beautiful art deco lavish set musical number not to miss is the costume ball that occurrs during an electrical storm and a very interesting dance number is set. The gowns being pre code are wild and beautifully done as always by te famous Adrian. This is a film to see!





























Wednesday, June 15, 2011

Mata Hari (1931) "The most dangerous spy of all time!"

Mata Hari (1931) MGM Studios
Directed By: George Fitzmaurice 
Starring: Greta Garbo, Ramon Novarro & Lionel Barrymore

Costumes By: Adrian

Tagline:
"The most dangerous spy of all time"

~ This is a pre-code motion picture based on the life of Mata Hari (the lady's real name was Margaretha Geertruida Zelle). Mata Hari was an exotic dancer and was executed for espionage in WWI.



Quote:
"The only way to resign from our profession is to die."





Plot:
During WWI in 1917, Mata Hari (Greta Garbo) is in Paris living a double life. Mata Hari is an exotic dancer and also secretly a spy for Germany. Her beauty has found to be a great gift where she has been able to obtain vital information from French and Russian officers in the bedroom. One person she has won over is General Shubin (Lionel Barrymore) who is a Russian General. Mata Hari's seductive ways are working very well for her with the higher power's that be in the millitary.

The French Secret Service is onto Mata Hari but has yet to be able to obtain the evidence needed to arrest her. Meanwhile. General Shubin is very much in love with her but for her it is only an act for her work. During this time Mata Hari meets a young and dashing Russian pilot Alexis Romanoff (Ramon Novarro). Mata Hari spends the night with the smitten pilot and she is able to obtain secret documents. The one item that she was not planning was that she is truly attracted to Alexis Romanoff and starts to see him more with deeper and true love from both for one another. This is a dangerous thing for any spy to tangle with where her judgement will be cloudy.

General Shubin finds out about the love affair that is going on between Mata Hari (his love) and Alexis Romanoff. The general is furious and blinded by his overwhelming jealousy and quickly acts upon his anger. Since his love is truly playing games with him and loves another she was not going to get away with her acts as a spy. The general finds the key evidence that the French Secret Service has been awaiting for and gives it to them very happily. Mata Hari is then arrested on the evidence of being a spy and doing acts such as war crime. Will Mata Hari ever be with her beloved Alexis and will he forgive her...you will have to see and think about that.



















Saturday, January 1, 2011

Gowns By Adrian: the artistry of Adrian Adolph Greenberg

Gown By Adrian: Adrian Adolph Greenberg

Best known simply as "Adrian" this designer led the way of high fashion in film especially in the 1920's, 1930's and 1940's.



Adrian was born in Connecticut in 1903. By his 18th Birthday he was already selling sketches of designs he made to Broadway productions. Adrian already knew from a young age what he was destined for, high fashion! When college came calling he attended in the New York School of Fine and Applied Arts, Paris branch. By the early 1920's and a very short few month stint in Paris Adrian came back to NYC and started to design costumes professionally first and most noteably "Irving Berlin’s Music Box Revue" from there things just went upwards for his career. By 1924 Adrian moved to California and accepted a permanent position as doing all cosutmes personally for the famed silent actor Rudolph Valentino. This partnership gave way to Adrian's big success in the film industry. 1924 and 1925 he steadily had jobs in large films doing costumes and was moving up in the scene. By 1926, Adrian signed a contract with the legendary director Cecil B. DeMille to exclusively do all costumes for his FOX films. This partnership between the three: FOX movie studios, Cecil B. DeMille and Adrian was a lovely combination which lasted until 1928 where DeMille parted ways and went to MGM. DeMille took Adrian along with him to the new studio which proved to be the best move ever for the now famous Adrian.

MGM and the now famous "Gowns by Adrian" 

MGM studios made Adrian the chief designer for the entire company. Adrian stayed in contract with MGM until 1941 where he terminated the contract and left the business. In 1939, Adrian wed Janet Gaynor the famed actress whom they stayed married together until his death in 1959.  During his time at MGM, Adrian contributed to over 250 films to his credit "Gowns By Adrian" which one can see in every MGM film he worked on. Noteworthy, actresses he work alongside and made them visually a glamour queen are: Norma Shearer, Joan Crawford, Greta Garbo, Jean Harlow, Katharine Hepburn, Dorothy Jordan, Ruth Chatterton, Kay Johnson, Kay Francis, Marion Davies, Lupe Velez, Helen Hayes, Jeanette MacDonald, Una Merkel, Constance Bennett, Eleanor Powell, Maureen O'Sullivan, Virginia Bruce, Luise Rainer, Janet Gaynor, Claudette Colbert, Hedy Lamarr, Lana Turner, Judy Garland, Ingrid Bergman and many more leading ladies. Adrian during his time at MGM worked with all major leading ladies under contract in one form or another whether they were in a leading or supporting role (at least it seems the case when you see his roster).

Adrian's noteworthy film credits are such as:

"The Women" "The Wizard of OZ" "Marie Antoinette" "Grand Hotel" "Ninotchka" "The Philadelphia Story" "Ziegfeld Girl" "Waterloo Bridge" "Broadway Melody of 1940" "Idiot's Delight" "Sweethearts" "The Great Waltz" "The Toy Wife" "Mannequin" "Double Wedding" "The Bride Wore Red" "The Firefly" "The Emperor's Candlesticks" "Parnell" "Maytime" "Camille" "Romeo and Juliet" "San Francisco" "The Great Ziegfeld" "WiFe vs. Secretary" "Anna Karenina" "Reckless" "Naughty Marietta" "The Barretts of Wimpole Street" "Chained" "Sadie McKee" "Riptide" "Queen Christina" "Bombshell" "Dinner at Eight" "The Secret of Madame Blanche" "Strange Interlude" "Red Dust" "Letty Lynton" "Mata Hari" "Dance, Fools, Dance" "Our Modern Maidens" "Wild Orchids" amongst hundreds more classic films.



Greta Garbo in "Camille"
  
Jeanette MacDonald "The Firefly"


 
                   




                                   

       
Joan Crawford, Rosalind Russell, Norma Shearer & Joan Fontaine "The Women"

Norma Shearer in "Marie Antoinette"



Adrian's Impact:
Jean Harlow
One of my favorite pairings is of Adrian and Joan Crawford whom worked together for numerous films at MGM. Adrian is the first to place shoulder pads on Joan's suits which then lend itself to a big trend. Joan's shoulder pads and suits and the look all came from Adrian and his imagination. For Jean Harlow fans one will always think of her in those gowns which are the bias cut. (Fasion 101: bias cut is a cut allowed fabric to cling to the contours of the body. This clinging effect gave clothing a sleek and elegant look.) The look that Jean Harlow had in her bias cut gowns of the 1930's was due to once again the imagination of Adrian to start placing her in these very flattering gowns that captured her curves. Jean being a very curvy and beautiful leading lady made a perfect match for this cut of gown! Adrian designed the famous red ruby slippers worn by Judy Garland in "The Wizard of Oz." 






My favs of whom Adrian worked with: Joan Crawford, Norma Shearer, Jeanette MacDonald, Greta Garbo and Jean Harlow.




Post MGM Adrian:


Opened a couture/ready-to-wear business in Beverly Hills. Adrian smaufactured there and sold to numerous stores across the U.S. During this time he garnered many famous clients such as Joan Crawford whom he created the famous 1940's shoulder pad suit during this time. Adrian continued to work for his own busienss and create gowns for films on his own through the 1950's with great success.


Fans of Adrian:
Can find a lot of his work at The Smithsonian along with watching the film classics and two very good reads: "Gowns by Adrian : The MGM Years 1928-1941"  by Howard Gutner (2001) &
"Adrian: Silver Screen to Custom Label" by Christian Esquevin (2008) 
both are beautiful books with many visually pleasing pictures of Adrian's work, a perfect coffee table read!




Adrian's lasting impact on fashion:


Adrian's work will forever be remembered with the high attention to quality and detail in every gown he created.  I personally think he is my true favorite costume designer since growing up and the huge impact of Hollywood glamour is without a doubt a large doing of the famed and one word needed only - Adrian.










When departing and terminating his own contract with MGM Adrian's quote was this:

"When the glamour goes for Garbo, it goes for me as well." ~ Adrian






Adrian along with Greta Garbo




















Adrian;s original sketch for "Madam Satan" (1930)